Dahlia Dreszer (Panama) is a photo-based artist living and working in Miami, Florida. She graduated from Emory University with a background in Media and Photography. Her work explores identity, memory, and cultural heritage through large-format photography and immersive installations that blur the line between reality and artifice. Using carefully constructed still-life arrangements, Dahlia weaves together personal narratives with broader cultural histories. Rooted in her Latin American and Jewish heritage, her practice reflects the complexity of creating a sense of home across diasporas.

Dreszer’s ongoing project Bringing the Outside In debuted as a solo exhibition at Green Space Miami from March to May 2025. The layered experience of navigating between cultures informs her visual language, as does her commitment to preserving overlooked traditions, such as the Mola. Her recent work with Mola textiles will be featured in the inaugural edition of Pinta Panama, presented by the City of Panama in May 2025. She is currently exploring the intersection of tech, art, and nature through her project Clone Dahlia, an AI-generated version of herself designed to explore simulated presence, identity, and adaptation. This work and her reflections on AI’s role in contemporary art were recently featured in TIME magazine’s article "Why This Artist Isn’t Afraid of AI’s Role in the Future of Art."

Alongside her studio practice, Dahlia curates programs and public dialogues that center collaboration, technology, and cross-cultural exchange, including Gen AI in the Arts, Collectors Round Table, and Women Leaders in the Arts at her solo show Bringing the Outside In in Miami. 

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