Miami Music Festival

Zen and the Art of Music

Story by: The Betsy - South Beach

These events are presented in partnership with FIU Miami Beach Urban Studios and Miami Classical Music Festival.

fiu mbus mcmf

opera music

Zen and the Art of Opera

February 8, 2021

Join us for an evening with Michael Rossi, a rising star in the next generation of conductors, and founder of Miami Classical Music Festival, a training ground for singers and orchestral musicians, in residence at The Betsy Hotel. As an opera conductor he made his international debut conducting Plácido Domingo and the Chinese National Opera Orchestra in Beijing in a live television broadcast and his Washington National Opera Main Stage Debut conducting Mozart’s Le Nozze di Figaro. Since then, he has led the Washington National Opera on numerous occasions with performances of La Boheme, two  productions of Hansel & Gretel, the first National Endowment of the Arts Opera Honors, and the orchestra’s Strathmore Hall Debut concert. He made his Carnegie Hall debut conducting the premiere of Marcos Galvany’s opera Oh My Son and recorded the album. Rossi has also conducted the world's leading organizations including the Philadelphia Orchestra, Baltimore Symphony Orchestra, Washington National Opera, Kennedy Center Opera House Orchestra and the Orquesta Sinfónica de Xalapa. 

Manny Perez

Zen and the Art of Zarzuela

March 8, 2021

A consummate and sought-after voice teacher, Manny Perez has discovered, nurtured and presented many vocal talents emerging today, maintaining vocal studios in Miami and New York City. His students have graced many of the world’s greatest stages including the Metropolitan Opera, New York City Opera, Carnegie Hall, San Francisco Opera, Lyric Opera of Chicago, Florida Grand Opera, as well the Teatro Solis in Uruguay, La Scala, Teatro dell'Opera di Roma, The Royal Opera House, Teatro Colón de Buenos Aires, Ópera de Oviedo, and Teatro Comunale di Bologna, to name a few. His students pursue and enjoy national and international opera careers and he is also a prominent vocal instructor in the cantorial community, Perez is a successful interpreter of opera and Spanish music in his own singing career, and has released two albums. Evelio Taillacq wrote of Perez’ vocal stylings in the Spanish press “we are dealing with an interpreter with a beautiful timbre, with just measure and magnificent phrasing.” Manny Perez lives and teaches in his hometown of Miami, though he was born in Cuba, and emigrated to the USA at the age of five, and graduated from the School of Music at the University of Miami.

Elizabeth Zito.jpg

Zen and the Art of Faithful Song

April 12, 2021

COVID has brought people together in ways they never expected. In the world of faith-based music, an entire new way of choral performance has arisen that connects performers and audiences across wide distances around awe-inspiring digitally mastered performances. Yet to make these things happen takes (not only) musical talent, but also technology and community-building skills. Rising soprano Elizabeth Zito is a versatile vocalist who performs an eclectic and inspirational mix of opera, jazz, blues, sacred, classical and world music - and over the past nine months she has become a sought after leader in convening faith-based audiences for musical celebration and worship. In this event, Michael Rossi, Founder and Artistic Director of the Miami Classical Music Festival will engage with Ms. Zito about their partnership connecting faith-based audiences via digital means - and will share performances they've recorded and edited collaboratively. Many believe that when COVID lifts these new pathways will continue to flourish, allowing those who love to sing and perform to connect with others though they may be separated by distance. 

Principal Instructor

Zen and the Art of Conducting in the 21st Century

May 10, 2021

Mark Gibson is Principal Instructor of the Miami Classical Music Festival Conducting Institute. He is also director of orchestral studies at the renowned College-Conservatory of Music (CCM), University of Cincinnati, and music director of the CCM Philharmonia Orchestra - and has enjoyed a career that spans three continents. He is presently at work on the long anticipated 8th edition of the classic text, “The Modern Conductor,” for Pearson. In 2017, Oxford University Press released Mr. Gibson’s highly acclaimed book on conducting and musical matters, “The Beat Stops Here.” Michael Rossi is a rising star in the next generation of conductors and founder of the Miami Classical Music Festival. He has conducted the world's leading organizations including the Philadelphia Orchestra, Baltimore Symphony Orchestra, Washington National Opera, Kennedy Center Opera House Orchestra and the Orquesta Sinfónica de Xalapa.  As an opera conductor he made his international debut conducting Plácido Domingo and the Chinese National Opera Orchestra in Beijing in a live television broadcast and his Washington National Opera Main Stage Debut conducting Mozart’s Le Nozze di Figaro. Since then, he has led the Washington National Opera on numerous occasions with performances of La Boheme, two  productions of Hansel & Gretel, the first National Endowment of the Arts Opera Honors, and the orchestra’s Strathmore Hall Debut concert. He made his Carnegie Hall debut conducting the premiere of Marcos Galvany’s opera Oh My Son and recorded the album. 

Roberto Berrocal

Zen and the Art of Contemporary Classical Piano

June 14, 2021

Roberto Berrocal began his piano studies in his native Bilbao, in the Basque country of Spain. After graduating from the New England Conservatory of Music with a Masters Degree in Piano Performance he obtained a Graduate Diploma in Collaborative Piano focusing in opera, studying with the renowned pianist and conductor John Moriarty. Because of his technical virtuosity and sensitivity, he is acclaimed as one of the leading Basque pianists of his generation. He is Founding Artistic Director of the St. Hugh-Steinway Concert Series, and coach/pianist for the Miami Classical Music Festival. Berrocal brings a fresh interdisciplinary perspective to dignified concert hall piano performance and in an effort to bring in new audiences he the traditional lines between what purists view as ‘great literature’ to include ‘serious’ arrangements of familiar tunes - including those he has recorded for performance at this event - at The Betsy Hotel.